Author Archives: Tom Navratil
A loving portrait of English village life a century ago. Not a lot to set the pulse pounding, it would seem, but this one snuck up on me. Among the attributes that kept me engaged were snappy dialogue, sympathetic portrayals … Continue reading
Colson Whitehead’s moving account of the multidimensional sufferings inflicted by the American system of slavery amounts to a searing indictment of the origins of U.S. society. Through vivid portrayals of numerous victims and perpetrators, he demonstrates the durable effectiveness of … Continue reading
Verbal pyrotechnics abound in this romping satire on being black in contemporary America. Author Paul Beatty runs circles around every stereotype you’ve heard of and perhaps a few you haven’t. Bubbling up from underneath the cleverness are fundamental questions of … Continue reading
The Stager, by Susan Coll, is a tale of contemporary family dysfunction and ambition (and lack thereof) that manages to be both whimsical and hard-edged. And it’s set in Bethesda! It verges into the experimental and meta at times but … Continue reading
Through a cleverly interlaced collection of stories, author Tom Rachman traces the demise of an international newspaper in Rome. Disappointments in the lives of the staff track with the tragic arc of the paper’s decline, in narratives that abound in … Continue reading
A compelling and deeply moving — and hilarious — memoir by Marion Winik about her life and loves as a single woman in Baltimore. Incredibly generous and brave candor about her passions, hopes, and setbacks. A binge-read.
by Tom Reiss. An amazing biography of Alex Dumas, the father and real-life hero of the author of The Count of Monte Cristo. The French Revolution and the rise of Napoleon from the perspective of the son of a slave … Continue reading
With sparkling wit and warm, touching sensibility, Helen Simonson explores family strains and cross-cultural love in a tradition-laden English village. Major Pettigrew’s Last Stand is a wonderful read.
Fobbit provides a tactile, farcical, infuriating angle on life in a military outpost in the Iraq war. Presented as comedy but powered by deep outrage, David Abrams cleverly and viscerally illuminates key pieces of the Iraq puzzle.